Scrolls Reveal Hangover Cure

Egyptian Scrolls Reveal Hangover Cure.

A 1900-year-old text medical papyrus suggests that wearing a leathery-leafed plant will cure a night of drinking. Why the ancient Egyptians may be the best doctors we have.

If a night of revelry has awoken you to a morning of agony, you’re in luck.

According to a medical papyrus from ancient Egypt, the leaves of the Alexandrian shrub chamaedaphne are the answer. If you’ve never heard of them you aren’t alone. The directions, from a recently translated 1,900-year-old-text, instruct sufferers to string the leaves into a garland to wear around their neck.

Used by the Egyptians for general headaches, the treatment could prove a successful remedy for whiskey-induced discomfort. The finding is just one potential new cure discovered in the largest collection of medical papyri now sitting at the Egypt Exploration Society at Oxford University’s Sackler Library.

Under translation until now, this current volume was among 500,000 others discovered in Oxyrhynchus—a city in Upper Egypt—in 1915. The papryi made its way to the Egypt Exploration Society and Oxford University’s Sackler Library after Arthur Hunt, a papyrologist, and Bernard Grenfell, an Egyptologist, assisted with the exaction of Oxyrhynchus Papyri with other archeologists.

The documents found at Oxyrhynchus, ranging from literary works to medical ideas, were written in Greek, Latin, and Arabic. The recently translated texts reflect the influence of Greek medical expertise.

1900 year old Papryi from Egypt

Translation of such a tremendous amount of papyri is no small task. Researchers have been working on translations for a possibly headache-inducing 100 years. Volume 80 is fresh off the press with 30 newly translated medical papyri including treatments for ailments such as hemorrhoids, ulcers, tooth complications, and even eye surgery.

“These texts are hugely important as they give us an insight into daily life at the time,” said Dr. Margaret Mountford, a papyrologist at the Egypt Exploration Society to The Daily Mail. “Some were copies of ancient Greek medical texts but there were some original medical texts—which look more like magical spells in some ways.”

One of the treatments involves removing the head of an ant and rubbing into a stye. Rainwater, dried roses, starch, poppy juice, white lead, gum Arabic, copper flakes, antimony oxide, washed lead dross and Celtic spikenard (a plant) apparently cure discharge from the eyes when mixed together.

Though wearing a leathery-leafed plant may or may help after a night of drinking, the discovery of these translations is an “eye-opening” look at the lives of ancient Egyptians and their doctors.

With cures ranging from wacky to brilliant, the findings represent "the largest single collection of medical papyri to be published," according to Vivian Nutton, a professor at University College London.

Spices still used as medication

The distinction is a major one considering the influence that previous Egyptian papyri have had on the medical community thus far. The “Edwin Smith Papyrus,” for example, was one of the first to be discovered in 1862, containing early roadmaps to surgical procedures. Another, the “Ebers Papyrus” brought some of the first knowledge of obstetrics and gynecology.

Whether or not the cures actually work remains to be seen. That people will be testing out a new cure to drinking as soon as possible, however, seems certain.

The Fayum paintings

The Oldest Modernist Paintings

Two thousand years before Picasso, artists in Egypt painted some of the most arresting portraits in the history of art

Between 1887 and 1889, the British archaeologist W.M. Flinders Petrie turned his attention to the Fayum, a sprawling oasis region 150 miles south of Alexandria. Excavating a vast cemetery from the first and second centuries A.D., when imperial Rome ruled Egypt, he found scores of exquisite portraits executed on wood panels by anonymous artists, each one associated with a mummified body. Petrie eventually uncovered 150.

Today, nearly 1,000 Fayum paintings exist in collections in Egypt and at the Louvre, the British and Petrie museums in London, the Metropolitan and Brooklyn museums, the Getty in California and elsewhere. (Gift of Edward S. Harkness, 1918 / Metropolitan Museum of Art; © The Trustees of The British Museum; © The Trustees of The British Museum / Art Resource, NY)

The images seem to allow us to gaze directly into the ancient world. “The Fayum portraits have an almost disturbing lifelike quality and intensity,” says Euphrosyne Doxiadis, an artist who lives in Athens and Paris and is the author of The Mysterious Fayum Portraits. “The illusion, when standing in front of them, is that of coming face to face with someone one has to answer to—someone real.”

By now, nearly 1,000 Fayum paintings exist in collections in Egypt and at the Louvre, the British and Petrie museums in London, the Metropolitan and Brooklyn museums, the Getty in California and elsewhere.

For decades, the portraits lingered in a sort of classification limbo, considered Egyptian by Greco-Roman scholars and Greco-Roman by Egyptians. But scholars increasingly appreciate the startlingly penetrating works, and are even studying them with noninvasive high-tech tools.

First century
Fayum painting

At the Ny Carlsberg Glyptotek museum in Copenhagen, scientists recently used luminescence digital imaging to analyze one portrait of a woman. They documented extensive use of Egyptian blue, a copper-containing synthetic pigment, around the eyes, nose and mouth, perhaps to create shading, and mixed with red elsewhere on the skin, perhaps to enhance the illusion of flesh. “The effect of realism is crucial,” says the museum’s Rikke Therkildsen.

Stephen Quirke, an Egyptologist at the Petrie museum and a contributor to the museum’s 2007 catalog Living Images, says the Fayum paintings may be equated with those of an old master—only they’re about 1,500 years older.

Doxiadis has a similar view, saying the works’ artistic merit suggests that “the greats of the Renaissance and post-Renaissance, such as Titian and Rembrandt, had great predecessors in the ancient world.”

Article from the “Smithsonianmag”