Musicians depicted on Pharaonic paintings |
Musicians in temple |
Egyptian music probably had a significant impact on the development of ancient Greek music, that in turn influenced the early European music well into the middle Ages.
Egyptian modern music is considered as a main core of Middle Eastern and Oriental music as it has a very big influence on the region due to the popularity and huge influence of Egyptian Cinema and Music industries. The tonal structure of Oriental Middle Eastern music is defined by the maqamat مقامات, loosely similar to the Western modes, while the rhythm of Middle Eastern music is governed by the iqa'at اقاعات, standard rhythmic modes formed by combinations of accented and unaccented beats and rests.
Evidence shows the earliest instruments in Ancient Egypt were rattles, dating to the 5th millennium BCE, followed by clappers and flutes in the 4th millennium. Harps and drums are only attested in the middle of the 3rd millennium.
Some of the oldest and most
important Egyptian musical instruments were stringed instruments. These
included three sizes of lyres, an asymmetrical instrument with two arms and a
crossbar attached to a sound box. The strings, connected to the
crossbar and
the sound box, were plucked to make a sound.
Egyptian Sistrums in the louvre |
There are many depictions of harp players in early Egyptian art, and it seems harps were favored instruments. They were sometimes complex and beautiful; some were decorated with inlays of ivory, silver, and gold that signaled their importance and status as object.
Some History
The ancient Egyptians credited the goddess Bat with the invention of music. The cult of Bat was eventually syncretized into that of Hathor because both were depicted as cows. Hathor's music believed to have been used by Osiris as part of his effort to civilize the world. Furthermore the deity Merit is depicted present with Ra or Atum along with Heka (god of magic) at the beginning of creation and helps establish order through music. The lion-goddess Bastet was considered a goddess of music.
Sistrum a Pharaonic Musical Instrument |
Neolithic period
Menit-necklace |
Man playing Harp |
Predynastic period
During the predynastic period of Egyptian history, funerary chants continued to play an important role in Egyptian religion and were accompanied by clappers or a flute. Despite the lack of physical evidence in some cases, Egyptologists theorize that the development of certain instruments known of the Old Kingdom period, such as the end-blown flute, took place during this time.
Dancing was associated equally
with the elevation of religious devotion and human sexuality and earthly
pleasures. In Egyptian theology, sex was simply another aspect of life and had
no taint of 'sin' attached to it.
Lyre |
The evidence for instruments played is more securely attested in the Old Kingdom when harps, flutes and double clarinets were played. Percussion instruments and lutes were added to orchestras only around the Middle Kingdom. Cymbals frequently accompanied music and dance, much as they still do in Egypt today.
HARP |
Medieval music
Egyptians in Medieval Cairo believed that music exercised "too powerful an effect upon the passions, and leading men into gaiety, dissipation and vice." However, Egyptians generally were very fond of music. Schools taught the Quran by chanting.
Kanoun music instrument |
Oud music instrument |
Alemah |
Hasaballa Band |
Oum Kalthoum |
Western classical music imprint on Egypt
Cairo Opera House, a landmark in the cultural landscape of Egypt and the Middle East Western classical music was introduced to Egypt, and, in the middle of the 18th century, instruments such as the piano and violin were gradually adopted by Egyptian composers. Opera also became increasingly popular during the 18th century, Giuseppe Verdi's Egyptian-themed "Aida" was premiered in Cairo on December 24, 1871 in the Cairo Opera, build in the capital Cairo for the inauguration of the Suez Canal by Princess Eugenie of France.
Cairo opera house |
The second generation of Egyptian composers included notable artists such as Gamal Abdelrahim. Representative composers of the third generation are Ahmed El-Saedi and Rageh Daoud. In the early 21st century, even fourth generation composers such as Mohamed Abdel-Wahab Abdelfattah (of the Cairo Conservatory) have gained international attention.
Percussion instrument "Tabla" |
To be noted: Cairo-born "click on name" for video... * Fatma Said (start singing at 8:00 minutes into video) is the first Egyptian soprano to sing at the Teatro alla Scala, Milan, and from 2016 she took part in BBC Radio 3 New Generation Artists scheme.